Sofa Victoria & Albert – Red

Sofa Victoria & Albert by Ron Arad, 2000

A continuous flow of curving lines, an image-form drawn without ever lifting the pencil off the paper. Originally a ‘doughnut’ which provided inspiration for a sculpture: squashed, and reworked, using irony to go beyond the usual approach to industrial design. Then the piece itself: the padding and sewn-to-measure upholstery over an inner fibreglass frame reveal the interaction between the technical and expressive merits of the design. Its never-ending lines are sensitive but strong, perfect consonance between surface and form, body and skin.